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类型:科幻片
主演:Griffin Cleveland J.J. Totah Jaden
语言:英语
年代:未知
简介:A group of middle school kids stumble upon a chest full of incredible toys from the future. The discovery takes them on an adventure using their newfound toys to save their neighborhood and ultimately the world from a maniacal corporate madman. In the process, these loser kids learn they have the qualities they thought they were lacking all along.
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类型:动作片
主演:Allie Marie Evans 帕特里克·约翰森 Lyliana
导演:杰伊·马丁
语言:英语
年代:未知
简介:“疾速天使” 系列是当今颇具影响、广受青少年喜爱的小说,作品将科幻与奇幻元素巧妙地融为一体,充满了速度感、悬疑感和冲击力。六个孩子被送入实验室接受残酷的基因改造,变成了长有翅膀拥有超能力的鸟孩。他们逃离、反叛,在残酷的试炼中发现他们的力量正是为了这个世界而存在。 故事极像快速推进的大片,充满悬疑的故事、环环相扣的谜团、匪夷所思的超能力。不断切换的场景,第一人称的叙述方式,带读者迅速进入故事情境。让读者与六个孩子一起遭遇挫折、触摸感动,踏上探索生命真谛与未来命运的旅程!
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类型:恐怖片
主演:丹尼尔·比苏蒂 克里斯·勃朗宁 沙恩·科费 布莱恩·考辛斯 Micah
语言:英语
年代:未知
简介:导演梦寐以求的工作,在被迫拍摄现实生活中的谋杀时,很快就变成了一场噩梦。
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类型:恐怖片
主演:阿卡塞尔·亨涅 西诺薇·玛考迪·伦德 尼古拉·科斯特-瓦尔道 埃温·桑
导演:莫滕·泰杜姆
语言:其它
年代:未知
简介:表面上,罗杰(阿卡塞尔·亨涅 Aksel Hennie 饰)是一名成功的猎头,但他还有着另一个职业——艺术品大盗。罗杰和娇妻戴安娜(西诺薇·玛考迪·伦德 Synnøve Macody Lund 饰)住在一幢价值不菲的别墅中,戴安娜的画廊为罗杰的第二职业提供了得天独厚的信息网。一天,罗杰通过戴安娜认识了一名叫做柯勒斯(尼可拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰)的男子,他得知柯勒斯的家中藏有一张鲁本斯的画作,价值连城,正面临经济危机的罗杰动心了。画作轻松的得手了,可也就在同时,罗杰撞破了柯勒斯和妻子的私情大受打击,这还不是最糟糕的,本以为在现场没有留下丝毫线索的罗杰发现,危险正在渐渐逼近他和他的搭档,有一个人,正处心积虑的想要置他们于死地,一场惊天大逃亡展开了。而究竟是谁泄露了秘密?一时间,包括妻子在内,身边的每一个人都显得可疑起来。
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类型:剧情片
主演:Heinrich Hargesheimer Carlheinz Har
语言:其它
年代:未知
简介:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.