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类型:喜剧片
主演:雅罗斯拉夫·库切拉 伊万娜·卡尔班诺娃 埃斯特尔·克伦巴赫乔娃 伊特卡
导演:维拉·希蒂洛娃
语言:其它
年代:未知
简介:影片开始于两个都叫玛丽的少女(Jitka Cerhová 和 Ivana Karbanová 饰)的对话:没有人理解我们,这个世界上的一切正在变得越来越糟糕。于是两人决定:我们也要变得越来越坏!玛丽一号喜欢和老男人约会,在他们吃饭的时候,玛丽二号会突然出现,旁若无人地大吃特吃。玛丽一号把老男人送上火车,老男人以为她会陪着他,火车开动,她却下了火车。玛丽二号在一个收藏蝴蝶标本的男青年家中,用他的标本遮住自己身体的隐秘部位。她们在夜总会里捣乱,最后被赶走。她们无意中闯入一个没有人的宴会,开始肆无忌惮地享受美食.....本片献给精神生活一团糟的人们。
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类型:动作片
主演:汤姆·克鲁斯 强·沃特 艾曼纽·贝阿 亨利·科泽尼 让·雷诺 文·瑞姆
导演:布莱恩·德·帕尔玛
语言:英语
年代:未知
简介:中情局获得情报,得知他们的特工中出了一个叛徒,准备将中情局布置在东欧的特工名单出卖给外国特工组织。在特工头目吉姆(乔恩•沃伊特 Jon Voight 饰)的策划下,伊森(汤姆•克鲁斯 Tom Cruise 饰)所住的一组特工赶往了他们交易的地点。 岂料,当他们按计划赶到 时,却中了埋伏,一组人中除了伊森和吉姆的妻子克莱尔,其他队员都被杀害。这时,伊森的账户无端端多出了12万美金。伊森成了内鬼的最大的嫌疑犯。 无奈之下,伊森只能凭个人之力独闯龙潭虎穴去找出出卖他们的内奸。他和外国间谍组织的接头人麦克斯取得联系后,答应帮麦克斯偷出中情局的间谍名单以交换中情局内鬼的名字。
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类型:剧情片
主演:迪娜·霍瓦索瓦 达格玛·维斯科莫娃 朱拉什·库库拉 Lubomír P
导演:朱拉·亚库比斯克
语言:其它
年代:未知
简介:故事发生在捷克,诺娜(迪娜·霍瓦索瓦 Deana Horváthová 饰)是一个平凡的女人,一次偶然中,诺娜解释了名为艾斯特(达格玛·维斯科莫娃 Dagmar Veskrnová 饰)的护士,艾斯特告诉诺娜,她曾经的恋人是一名党员,在革命失败之后,心灰意冷的他选择了自杀。 诺娜怀孕了,可是,当她把这一喜讯告诉男友时,男友却选择了逃避和退缩,此时是艾斯特向诺娜伸出了援手,收留了无处可去的她。两个女人想要生存下去第一件事情就是要想方设法的赚钱,她们想了很多损招,最后还是靠卖掉了艾斯特已故的恋人的画作而赚了一大笔钱。就这样,两朵末路狂花走上了不归路。
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类型:剧情片
主演:Tayoko Shiojiri Hiroharu Shikata 加濑
导演:安德斯·艾德斯特罗姆 C·W·温特
语言:日语
年代:未知
简介:影片描寫了十四個月裏,農婦塩尻太太在日本京都府山谷中的日常勞作和非勞作。 一部由五册組成的田園詩。
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类型:剧情片
主演:Ivan Balis Marek Bezousek Jirí Bábe
导演:杜珊·哈波斯
语言:其它
年代:未知
简介:斯洛伐克影史上傳奇性的代表作之一。導演杜珊哈波斯藉由這部影片描述城市中年輕男女的悲喜生活。這些年輕人必須面對真實人生,並學習浪漫愛情有時可能也會帶來傷害。本片雖然歷史悠久,但是片中音樂氣氛的營造讓本片在斯洛伐克影史上佔有一席之地。
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类型:海外动漫
语言:其它
年代:未知
简介:小魔女骑了扫帚在华尔普吉斯之夜,飞到布罗金山,参加魔女舞会。不料被雷雨魔女发现,向魔女头头揭发,她被抓了起来。魔女们斥责她不守规矩,私自参加舞会,要严厉惩罚。魔女头头让她回家,要她在一年里做个好魔女,可得宽恕。小魔女回家后,苦学魔法,用魔法帮助别人,做了许许多多好事。一年后,她又去布罗金山,认为魔女头头会赞赏她,谁知结果却令她感到意外。
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类型:剧情片
主演:Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestm
导演:法兰提塞·维拉席
语言:其它
年代:未知
简介:In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.