备注:已完结
类型:剧情片
主演:Artúr Somlay Miklós Gábor Zsuzsa Bá
语言:其它
年代:未知
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
备注:已完结
类型:剧情片
主演:艾米莉·布朗宁 奥利·亚历山大 汉娜·穆雷 皮埃尔·布朗格 科拉·比塞
导演:斯图尔特·默多克
语言:英语
年代:未知
简介:故事发生在苏格兰的格拉斯哥,女主人公伊芙陷入了一对音乐家的感情关系当中~~
备注:已完结
类型:剧情片
主演:Catherine Tanvier Christian Sinnige
导演:让-吕克·戈达尔
语言:法语
年代:未知
简介:这部影片被形容为一部“三个乐章的交响乐”,片中集合了几位有着不同国家、种族背景的角色。影片的故事发生在一艘地中海豪华邮轮上,游轮行经六处著名的欧洲神话故事遗址,其中包括埃及、巴勒斯坦、希腊、敖德萨、那不勒斯、巴塞罗那。来自世界各地不同文化背景、说着不同语言的乘客在这里相遇。主要角色包括一位来自莫斯科警察局的探长,一名出身背景不详、由孙女陪同的老战犯,一名上了年纪的法国警察,一位巴勒斯坦大使,一位前联合国女官员,一名间谍,以及法国哲学家阿兰·巴丢和美国“朋克教母”帕蒂·史密斯。
备注:已完结
类型:喜剧片
主演:Tim Hodge Dan Anderson Lisa Vischer
语言:
年代:未知
简介:这个一群可爱的蔬菜们的故事,开始于一次意外事ddd。在一个月光皎洁的夜晚,一群驾驶着大篷车旅行的“蔬菜”们在大道上一边前进,一边快乐的唱歌。但是他们不小心与一群由“衣服”为主力组成的小团体发生了争执,于是引发了一场战斗。在和这伙晒衣绳、拳击短裤和豪猪等的作战中,“蔬菜”们的大蓬车出了事故,于是他们只好来到一个破旧萧条的海鲜市场寻求帮助。在这里他们遇到了一群号称“什么事也懒的做”的海盗。在等待拖车帮忙的时候,他们与这群海盗坐在一起闲聊。海盗们讲了一个关于主人公芦笋约拿的故事:故事发生在很久以前的另一个地方。主人公芦笋约拿是一个信使。不过他可不是一个普通的投递员,他是上帝的信使。约拿很喜欢自己的工作,一天,他接到一个任务,要他把信送给古亚述国尼尼微城的人们。约拿不喜欢尼尼微人,因为他们不仅喜欢撒谎、偷窃,而且还喜欢用鱼砸人。于是,约拿不仅不着急去完成任务,却坐上了一家相反方向行驶的船。船的主人正是这群“什么事也懒的做”的海盗。在船上,他还遇到了一个地毯“商人”,毛虫卡里尔。不幸的是,约拿被一只巨大的鲸鱼吞到了肚子里面。在鲸鱼的肚子里,又发生了一段惊险、刺激却又好玩的故事
备注:已完结
类型:科幻片
主演:梅赛德丝·马索霍 乔什·库克 Mattie Liptak 伊格纳西奥·
导演:约翰·波罗
语言:英语
年代:未知
简介:在一个平凡的夜晚,美丽的空中小姐珍妮(Mercedes Masöhn 饰)和朋友宝拉(Bre Blair 饰)登上天空航空公司飞往堪萨斯的318次航班,执行有一次看似平常的飞行任务。一如既往,这架小型飞机上聚集着各色各样的乘客,珍妮耐心友善地服务乘客,却不知危险正渐渐逼近。飞行途中,一名肥胖的乘客神态异常,在吐了珍妮一身秽物之后,竟发狂地冲向驾驶舱要求下飞机。机舱内一片混乱,万般无奈之下,飞机只得迫降于洛杉矶机场。而在这一过程中,宝拉也被胖子啃噬,情况危急。 机组成员和乘客来到洛杉矶机场,却发现偌大的机场内空无一人,他们仿佛被世人囚禁于一个隔离的区域中……
备注:已完结
类型:剧情片
主演:María Mercedes Coroy María Telón Ma
导演:杰罗·布斯塔曼特
语言:其它
年代:未知
简介:利亚是一位17岁的卡齐格尔族玛雅人(Kaqchiikel Maya),她与父母一起生活在一座活火山脚下的咖啡种植园。她被许配给了种植园的一位工头。但玛利亚却一心想要去发现火山另一头那片对她来说是完全未知的世界。她引诱了一个一心想逃到美国去的咖啡收割工。但那个收割工扔下 她后,玛利亚重新认识了自己所在的世界和文化。 导演杰罗•布斯塔曼特成长在危地马拉的一个卡齐格尔族玛雅人地区,所以他选择回到这里制作自己的电影。他办了一个工作坊,让身边的人给他说自己生活中的故事,进而考察在这一区域的玛雅人在当下的生存状况。他以这样的方式了解到生活在那里的女性与他们母亲和祖母之间的特殊关系。电影情节充满古老信仰和传统的生活节奏。观众将看到一个完全不同于全球化背景下的世界,让人完全不熟悉的日常生活。这并不是一部关于土著文化的电影,而是一部真正在这样的文化氛围下创作出来的作品。 影片获得第65届德国柏林电影节阿弗雷鲍尔银熊奖殊荣,并将代表危地马拉角逐奥斯卡最佳外语片。
备注:已完结
类型:喜剧片
主演:YaYa Gosselin Lyon Daniels 安迪·沃肯 哈拉
导演:罗伯特·罗德里格兹
语言:英语
年代:未知
简介:外星入侵者绑架了地球的超级英雄,他们的孩子则被匆匆送进政府避难所,但机智过人的青少女蜜西(Yaya Gosselin 饰)使尽各种招数,一心要拯救她的超级英雄爸爸马可斯(Pedro Pascal 饰),为此她跟其他超级小英雄携手合作,逃离当局神秘的保母格拉娜达女士(Priyanka Chopra Jonas 饰)。这群孩子必须各自使出包括超强弹力、控制时间和预言未来在内的力量并肩作战,组成无人能敌的团队,才能成功救出爸爸妈妈。动作画面精彩且真挚动人的《全民小英雄》由《非常小特务》、《鲨胆小英雄》导演 Robert Rodriguez 执导,并请到 Boyd Holbrook、Christian Slater、Chris McDonald 及 Adriana Barraza 同台演出。